Series of paintings as a record of everyday life.
– Interactions between the artist and viewers
– Translations
– Manifest as awkward spatial relationships
– Uncomfortable colour pairings and unusual patterns
– Make an idea for themselves upon repeated viewing
– Possibly as a form of therapeutic healing
– Artist’s own imagination / Abstract qualities / All important repertoire of motifs
– Motifs: devices that enables viewers to concentrate and gives attention not only to the surface of the painting but also the motifs that acts like devices; particular mood of each work
– The balance between foreground and background
– Visual journaling / Life experiences / Feelings / Emotional reactions / Artist’s inner worlds
– Articulating connections between my own personal art-making experiences and the work of the Master and Contemporary artists
– Reflective thinking
Painting a series of similar or related paintings:
– Does not mean I’ve run out of ideas or only have one
– A way of pursuing an idea of pushing it to see how far it will go
– Trying out variations to see where I’ll end up
– One painting leads to another and to another
– Elements that I like (Portraiture / Anatomy etc.) that I would rework on the painting
– Blending colours rather than having them such distinctive bands
– Vertical to horizontal arrangements as to represent how I move my point of view from further away
– Declared finish paintings although it is not ‘right’ in my eyes
– More abstract painting of it will make you (the viewer) Â feel as if you had stepped up close to ‘me’, my life journey in one of the other paintings
– Overlapping and make the dominant colours reversed, to show the significant change between one painting and the others
– Positioning the series as a group than individually will work better